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जब दिलीप कुमार से इंदिरा गांधी ने की भारतीय सिनेमा की बुराई, मिला ऐसा जवाब, खुश हो गए नेहरू – When Dilip Kumar silenced Indira Gandhi Over Nothing Hindustani About Hindustani Films Pandit Jawahar Lal Nehru became happy untold story

Mumbai. Legendary actor Dilip Kumar is called Kohinoor of Indian cinema. He was also known for his impunity. Once, he scolded his daughter Indira Gandhi in front of India’s first Prime Minister Pandit Jawaharlal Nehru. It is around 1963 when Dilip Kumar was made the head of the ‘Indian Motion Picture Producer Guild’. Pandit Jawaharlal Nehru invited him at breakfast. There was also Indira Gandhi there. When the breakfast was going on that Indira Gandhi started doing evil by describing Indian cinema as backward. After hearing a long time, Dilip Kumar replied that his speech stopped. Surprisingly, Pandit Nehru became happy with Dilip Kumar’s reply. Dilip Kumar told the whole story on a public platform. What he said, let’s know …….

Dilip Kumar had told the stage, ‘Once I was doing breakfast with Pandit Jawaharlal Nehru. He was grace, he was kind to him. She was Azim personality. Meanwhile, his daughter Indira Gandhi came. Indira Gandhi started doing evil to Indian cinema. She started saying what kind of films you make people. I was in Paris, went to Moscow and saw many beautiful and great plays in London. What happens to your Indian films? Why are these Indian films so far behind? Indira Gandhi was passing beyond the limits. She started saying that there is no India in your films. What kind of films are these. I listened to him for 10-15 minutes. Then I felt that if I reply now, it will not be unmatched. I told him with a lot of mentor that what you said was really right. It would be stupid to deny this. If we say that our Indian cinema is very good. It is not very progressive, it is not appropriate but you are saying that there are no Hindustanism in our films, so let me tell you that there was not a single word of Hindustani tongue in what you have been talking for 12 minutes. You were speaking fluently English.

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Tragedy King further said, ‘Today we are building a road, we are trying to increase our means of irrigation, building hospitals, trying to strengthen international relations. We have to spread the year to beg and beg, sometimes for wheat, sometimes for rice and sometimes for oil. Sometimes it falls dry. So far people do not have clean water to drink. Despite so much efforts and dedication of Pandit Jawaharlal Nehru, our educational system is very bad. Therefore, not only the Indian film industry is backward but our roads, education systems are also weak. Many things are very weak and ugly in our government too.

He further says, ‘I felt that Panditji may be angry or angry in anger, after some silence, he said,’ You know Yusuf, if I was in your place, I would not have been so humble. ‘

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Dilip Kumar, while speaking, said, ‘We will not be able to make films good until the road and infrastructure will be better. If the roads are not good then the house will not look beautiful. Roads, houses, surroundings, people living there have mutual relations. We can import engineering, computer to the country but cannot bring cultural things. We cannot bring literature from another country. We have to build it from our land. If we used to go to other countries for grains, then we wondered why they should do beggars. Then we came to know that the deficiency is in us. There was no water for our fields. When we collected irrigation, fertilizer and many things, the same soil became gold. Now we are not going to spread our hands in front of anyone. Similarly, if you want to remove the flaws of the film industry, then you have to bring resources related to it. We have to enrich the literature of the country.

Born on 11 December 1922 in Peshawar, Dilip Kumar’s father was a big fruit businessman in Mumbai. He also took over the business of his family from the early days. His original name was Muhammad Yusuf Khan. Started his career with the film Jowar Bhata (1944), produced by Bombay Talkies. On the request of producer Devika Rani, she chose Dilip Kumar Screen.

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